• "Egyptian Song": Piece for clarinet B-flat and piano, Cairo 1983.
• "Childhood Memories": Suite in 5 movements for piano, Cairo, 1983.
• "Anshedy Ya Seba": New treatment for Arabic" Mowashshah-Leader" for string orchestra, Cairo, 1985.
• "Human Vestiges": Incidental music for a documentary film about Pharaonic temples in Aswan, Cairo, 1987.
• "Dodecaphonies": Suite for piano in 12- tone technique, Cairo, (1986-1988)
• "Fantasy": Free form work, for orchestra and percussion, written in Arabic scale-Maqamat, Cairo, 1986.
• "Aly Elawa": Children's song, new adaptation of Egyptian folk lieder, Graz, 1992.
• "Hena Maqas": Children's song, new adaptation of Egyptian folk lieder, Graz, 1992.
• "Two Streets-Wander Sellers": Neda`at -canon, for two trumpets, 1992.
• "El-Zar": Ostinato, for kammer instruments on Egyptian Allah Haei- Rhythm,, Graz, 1993.
• "Articulations": 7 movements-suites, for seven ensemble instruments, Graz, 1993.
• "Elkholkhal": Ballet in one act, folk theme about Egyptian anklet, Vienna,, 1994.
• "Déjà vu": 6 Variations on Czerny piano etude for Saxophone quartet, Vienna, 1994.
• "Zekra": Passacaglia, for orchestra and choir vocalize, Vienna, 1995.
• "Message from Elakhra": "Die Wunderzahl"-Fantasy for orchestra, narrator and tone band, (1994-1996).
• "Welad-Elbalad": Ostinato on Arabic Rhythm, for wind orchestra, Cairo, 2000.
• "Ghazl Elbanat": Piece inspired by vocal fanfares of wandering Egyptian sweet merchants (sugar lisle), Cairo, 2000.
• "Melaya Laf": Dance piece for Bb clarinet and tambourine, performed with animated projections, Cairo, 2000.
• "Agwa`a II": Atmospheres-variations on street seller Neda`a- fanfare, for solo oboe and microphone & effect processor, 2000.
• "Ya Lil": Text by Khalil Gobran performed in Mawawil-style with accompaniment of electroacoustic and live music 2000.
• "The Hot Letter": 10 Satirical joking sketches depended on the timbre & meaning of the Arabic language letters for Accapella, 2001.
• "Raninieiyat-Rings": Experimental suite for percussion and stationery& kitchen tools, 2001.
• "Roh fel Ash": Audiovisual variations on movies called Doa`a Elkarawan, performed by midi-sequencer and live choir, 2001.
• "Violin and Machine": Duet, (2 players + 2 bows) 4 hands upon one violin with sewing machine, 2001.
• "Consequence-Sketch": improvisations on solo contrabass with live spontaneous painting of an artist, 2001.
• "Message form under water": A new arrangement after a song of A.Halim Hafes, 2002.
• "Lahib Elthalg", Musical featuring a volcano's explosion on an ice mountain top, 2002.
• "On Coulisses": Electro-acoustic piece depends on wash machine noises, performed with a filming inside the human body, 2002.
• . "Qahqaha": Joy piece with cinematic clips of Egyptian comic movies, as a psycho-therapeutic music for depression, 2004.
• "Shakhbata-doodle": Psycho- work depends on spontaneous improvisations melodies performing (2001-2005).
• "Dances": Dances-Suite is inspirited form American jazz for chamber orchestra and some Arabic percussion, Boston (2007-2008).
• “Choir Songs”: Series in Arabic chanting vocalize Boston, (2008).
• “Musical light”: Suite of Visual Music Composition for the Deaf Boston (2008).